English 4653: Abstract for Final Project (due next Tuesday in-class!)
Mine's a tale that can't be told
My freedom I hold dear
How years ago in days of old
When magic filled the air
'T was in the darkest depths of Mordor
I met a girl so fair
But Gollum, and the evil one
Crept up and slipped away with her
Her, her, yeah
Ain't nothing I can do, no
--Led Zepplin, “Ramble On” (1969)
ALSO: In
your abstract, you must incorporate aspects of both Tolkien works we read in
class, and at least one outside ‘text’ which could be Beowulf, or
another book, or a film, or a work of art, or a piece of music. This outside
work should complement what you’re trying to say about Tolkien and your project
should have a ‘conversation’ with it in some way. For example, a work of art
might incorporate images maps from The Fellowship, or a poem could
reference both lines of Tolkien’s work and the lyrics of a song (like Led
Zeppelin, above), or a paper could show how Tolkien’s world developed from
British Pre-Raphaelite art (The Abduction of Merlin, etc) or how it
relates to a film like War Horse, 1917, etc.
THE THEMES:
- Tolkien and Myth: why the
myths and legends matter, why we need to hear about Beren and Luthien,
etc., and why Tolkien isn’t just writing a novel
- Tolkien and Poetry: why the
poetry matters, who else has been influenced by it, what it seems to say/express
beyond the actual novel, how it tells the story (another story?)
- Tolkien and Language: why the
languages matter, why we can actually learn a little Elvish, Dwarfish,
etc., how they relate to old languages such as Anglo-Saxon, etc.
- Tolkien and Travel/Maps: why
the locations matter, why he allows us to see the landscape, the
descriptions, the history of places
- Tolkien and Art: why the art
and the descriptions matter, why Tolkien’s language is very visual, and
why he insisted on creating his own art for his stories (esp. The
Hobbit), how the art complements and expands the story (much the way
the poetry does)
- Tolkien and History: why the
times Tolkien wrote in matter, how WWI and WWII bled into his works, how
allegory is actually a key feature of the story—esp. in The Fellowship
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